2019 marks the 70th anniversary of the first publication of George Orwell’s dystopian novel Nineteen Eighty-Four.

1984 Film Still Studio One

This blog looks at some of the screen adaptations of the novel. Other blogs look at the main characters and themes, and suggested topics for discussion.

Some of these screen adaptations stick closer to the original source material than others. Many of the differences may be attributed to limitations of budget and available technology. They may also say something about the period in which they were made, and differ in the extent to which they are looking to make a commentary upon contemporary society rather than depict a specific fictional narrative.

1984 (1953)
Director Paul Nickell; written for television by William Templeton; starring Eddie Albert, Norma Crane, Lorne Green. Running time 50 minutes.
This was an episode of the anthology television series Studio One in Hollywood, which was first broadcast on 21 September 1953 on CBS. (publicity photo above)

Nineteen Eighty-Four (1954)
Director Rudolph Cartier; adapted as television play by Nigel Kneale; starring Peter Cushing, Yvonne Mitchell, André Morell. Running time 1hr 48 minutes.
An episode of the BBC series Sunday Night Theatre. The BBC had acquired the rights in 1949. An early script was written by Hugh Faulks, with the approval of Sonia Orwell, but Nigel Kneale was brought in to write a new adaptation at the insistence of director Rudolph Cartier. Location filming took place in November 1954. This footage would then be shown as needed during the live studio performance. Full cast and camera rehearsals began at the BBC’s Lime Grove Studios on 11 December and continued for much of the following day, with live transmission beginning at 20:37 on 12 December.

There were complaints from the public about the brutal content, particularly the torture scenes, and early-day motions and amendments about the programme tabled for discussion in parliament. While some MPs deplored what they saw as pandering to sadistic tastes, others applauded the BBC’s courage in raising awareness about totalitarian oppression of freedom of thought. An endorsement from the Queen and Prince Philip, who let it be known they had enjoyed the programme, helped sway some of those who had expressed concerns. The Board of Governors narrowly voted in favour of a live re-staging on 16 December, which was seen by seven million viewers (UK television’s largest audience since the Coronation). It was this performance that was recorded and first repeated on the BBC in 1977.

1984 (1956)
Director Michael Anderson; screenplay by William Templeton and Ralph Bettinson; starring Edmund O’Brien, Jan Sterling, Michael Redgrave. Running time 90 minutes.
This was the first full-length, big-screen version of the story. The UK version ends with a defiant Winston Smith and Julia being executed by the authorities; the more faithful US version ends with their brainwashing. Sonia Orwell objected to the ending of the UK version and it was withdrawn. (promotional posters below)

1984 Poster1984 Poster

 

1984 (1965)
Director Christopher Morahan; script by Nigel Kneale (adapted from 1954 version); starring David Buck, Jane Merrow, John Garrie. Running time 2 hours.
An episode of BBC2’s Theatre 625 series using Kneale’s 1954 script that was broadcast on 28 November 1965.

Nineteen Eighty-Four (1984)
Director Michael Radford; screenplay by Michael Radford; starring John Hurt, Suzanna Hamilton, Richard Burton. Running time 1hr 53 mins.
Executive Producer Marvin J Rosenblum secured the film rights to the novel shortly before the death of Sonia Orwell in 1980. This was Richard Burton’s last film. Many of the scenes were shot on the days noted in Winston Smith’s diary.

Director Michael Radford was unhappy that Virgin Films (who financed the production) insisted on songs by the Eurythmics replacing parts of the original orchestral score by Dominic Muldowney. He withdrew the film for consideration for a BAFTA in protest. He is also said to have opposed the casting of Burton and had wanted to shoot in black and white. (publicity photo below)

Nineteen Eighty-Four film

Other screen adaptations and variations

Big Brother (1970)
Creator Wilfred Greatorex
A series of one-hour plays that examine whether modern society is heading towards the dystopian world predicted in the novel.

Four Episodes from 1984 (1985)
Director and writer: Marshall Peterson; starring John Nowak, Jayne Bentzen, Gretchen Henry.
Eight scenes from the novel, divided into four sections based on their location.

Brazil (1985)
Director Terry Gilliam; screenplay by Terry Gilliam and Tom Stoppard; starring Jonathan Pryce, Kim Greist, Robert de Niro.
A bureaucrat in a retro-future world reminiscent of the 1940s tries to correct an administrative error and becomes an enemy of the state. Director Terry Gilliam claimed he had never read Nineteen Eight-Four though the novel partly inspired his work. He also sometimes referred to the film as 1984 1/2 ,as a tribute to Federico Fellini’s 1/2 . (publicity photo below)

1984 (2006)
Director Brian Large; libretto J D McClatchy, music Thomas Meehan; starring Simon Keenlyside, Nacy Gustafson, Richard Margison.
TV movie of opera adaptation.

1984 (2016)
Director Ross MacGibbon; starring Tobias Batley, Martha Leebolt, Hironao Takahashi.
Filming of Northern Ballet’s production with choreography by Jonathan Watkins.

Brazil

Related events/

To encourage wide learning and debate  about Nineteen Eighty-Four, Festival of Ideas is creating a mass reading group in Bristol with the distribution of 1,000 free copies of the book.

During the Festival of the Future City we have a session on ‘Orwell and Nineteen Eighty-Four Today’ with Jake Chapman, Sarah Ditum, Dorian Lynskey, Jean Seaton and Ece Temelkuran. It takes place on 17 October. Further details and booking link.

As part of the film programme of the Festival of the Future City, we are showing Michael Radford’s screen version of Nineteen Eighty Four, starring John Hurt and Richard Burton, on 19 October at Watershed. Further details and booking link. We are grateful to BFI for its support for this film screening.

 

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